First Performances

Yesterday was kind of a whirlwind, and unexpected, but awesome nonetheless. Two of my first performances (not officially in a Flam Chen faculty, they're more like "appearances") in a row, first on silks, then on stilts at the Ensphere warehouse show.

And there's a video to prove it!

The silks bit was for the Rhythm Industry performance review—a sort of open house when all the cooperative groups and artists of the Rhythm Industry center show the latest that they've been working on. Because Flam Chen was at Angel Ball doing their showtime thing, only some of the beginner/intermediate students were available to show the latest. Kelsey and I volunteered to do a silks piece as representing Flam Chen.

It's a work in progress, and it's obvious that I've got a lot to work on (point your toes, keep your legs straight, etc.). I'd like to video myself now on silks to actually see where the strengths and weaknesses are. It'd be great for training. But I'd like to think that this, for all its imperfections, is not too bad for two or so months of training.

Video of me and Kelsey, thanks much to Clencovision, who was kind enough to put it on Youtube so quickly:



Kelsey did really great.

Forgive the cheesy swinging of the silk on my part. When properly executed, that will send the flyer into a tight spin while in the hipkey. It seemed to be an easy thing to do while I was hanging there, and kind of came out lackluster. Oh well—another thing to work on.

The other appearance on stilts was late last night (or really early this morning) at the Ensphere warehouse show. My first time being a shadow walker—I didn't have the arm stilts to go with it (you can only tie so much aluminum to your backpack while biking through town), so more like a psuedo-shadowwalker. But the effect wasn't lost on people. It was interesting seeing people's reactions—from shock, to flirtatious (no comment there, aside that the costume is skin-tight, white, and more or less androgynous), to fear. I actually chased one girl around a car while she tried to take a picture of me. Of course I hugged her and told her my name later on.

The costume is half the battle, but the other half is being the shadow walker. The costumes are really powerful, even though they're simple in their construction (it's like walking around with an elastic bedsheet on you), but actually performing as an otherworldly creature is actually what makes it all happen. People's reactions suddenly go to this pure, more neutral area where typical human body language identity is lost and anything can happen. Some find it elating and amazing, some find it ominous or frightening, and yet others don't know how to interpret it, and just get angry, as if this walking bedsheet is some sort of social threat.

I'll be scanning the intarwebs for picture-proof of this. There were multiple times I posed for cameras. They have to show up on Facebook sometime.